FOUNDER, CEO AND ARTISTIC DIRECTOR
Recognised for advocacy, quality and ambition, at the heart of Serendipity’s vision is founder, CEO and Artistic Director, Pawlet Brookes MBE. Pawlet Brookes has a passion and innate talent for discovering, nurturing and promoting artistic talent from across the African and African Caribbean Diaspora. Her initiatives have resulted in the UK debuts of renowned dance companies, recognition of the previously unshared histories of Black presence in the Midlands, the innovative use of digital technologies as tools for accessibility and creativity, and the production of an internationally acclaimed documentary.
In 2022, Pawlet Brookes was awarded an MBE in the New Year’s Honours in recognition of her contribution to the arts and cultural diversity. She was conferred with an Honorary Fellows from Northern School of Contemporary Dance in 2023, an Honorary Doctor of Arts from De Montfort University in 2025, and an Honorary Fellowship from Falmouth University in 2025, marking her impact as both a cultural leader and an alumna of UK higher education.
OUR TEAM
SERENDIPITY BOARD
Serendipity’s board of trustees are the guardians of Serendipity’s mission and purpose, with industry leads in arts and festival management, education and artistic practice. Serendipity’s board reflects and supports the organisation’s key aim of bringing diversity to the forefront in arts with high quality work that reflects the demographics of the UK.
Chair
Tony Graves
Consultant, lecturer and arts producer Tony Graves brings a wealth of knowledge, skill and expertise to Serendipity with a career in the arts and education as a former Associate Professor and Head of Arts and Festivals Management, BA undergraduate degree at De Montfort University. In addition to Programme Leader for the MSc in Cultural Events Management.
A former classical pianist, he is a graduate of the Royal College of Music and was previously the Chief Executive of The Drum Arts Centre, Birmingham and a producer at Nottingham Playhouse.
Graves has been involved in the delivery of strategic arts planning at a regional and national level with particular emphasis on cultural diversity. He lead the researcher for De Montfort University’s Cultural Management and Policy Group evaluating the cultural diversity gateway of the New Audiences Programme for Arts Council England. Alongside holding the position of Director of the university’s annual Cultural eXchanges Festival which has developed this into a major event over the past 20 years. Previous guests include David Olusoga, Grayson Perry, Ken Loach, Jamal Edwards, Germaine Greer, Melvyn Bragg, Trevor Nelson, Bonnie Greer, Meera Syal, Munroe Bergdorf, David Harewood and Adrian Lester.
Graves has served on several boards including Nitro Music Theatre Company, The New Art Exchange and Dance4. Amongst his publications are a report entitled ‘Fear of the Artist’ produced in collaboration with Jude Kelly, former Artistic Director of the South Bank Centre, and funded by NESTA.
Board Member
Brenda Edwards MBE
Brenda Edwards is a Brixton-born independent artist, teacher, consultant and producer. Her artistic professional career spans over three decades as a professional dancer and choreographer. She has been nominated twice for the Cosmopolitan Women of the Year Awards, for her outstanding achievements in dance.
Edwards worked as an Associate Producer through the Arts Council of England’s Artistic Leadership Programme. She was a consultant on Innervision in Swindon and the Assistant Creative Producer of Cultureshock, the Commonwealth Games 2002 arts programme for the North West. In 2001, Edwards established HIP Dance Festival, recognising the talents of UK talented Black artists.
Edwards has a diverse background in the arts and her qualities as an active performer and producer helps to maximise her vision of the arts. She has worked with London Contemporary Dance Theatre under the directorship of Robert Cohan, English National Ballet as a soloist under the Artistic Directorship of Peter Schaufuss where she became one of a few women to dance the leading role in Maurice Bejart’s Bolero. Historically, she became the first Black woman to work in a British ballet company when she joined London Festival Ballet (which later became English National Ballet). Edwards has also worked with Martha Graham Dance Company, New York as a soloist and she worked with Hungarian-born dancer Eszter Salamon. Edwards made her West End debut in John Caird’s Children of Eden, choreographed by Matthew Bourne.
Edwards currently works with WEST10ARTS and worked with DJ Papa Face on Dub London: Bassline of a City (2021) at the Museum of London, which was awarded an AHI Award in the Untold Stories Category. This partnership with the newly rebranded London Museum continues with the commissioning of a new installation which will launch in autumn 2026.
No stranger to the East Midlands, Edwards is a Graduate in Dance Theory at De Montfort University in Leicester. Edwards has supported Serendipity Institute for Black Arts and Heritage for many years as an independent consultant for Signatures and the Black British Dance Platform.
Edwards was awarded the MBE in the New Year’s Honours list 2005, for services to dance.
Board Member
Ethan Laurent
Laurent is a structural engineer with over seven years’ professional experience working in the UK, bringing specialist expertise in civil engineering, infrastructure and project management. He holds a BEng in Civil Engineering and an MSc in Project and Infrastructure Management, providing a strong foundation in capital development, risk management, compliance and long-term asset sustainability.
Laurent brings a practical, solutions-focused approach to governance, with the ability to translate complex technical information into clear and informed board-level decision-making. His professional knowledge supports Serendipity Institute for Black Arts and Heritage’s ambitions around capital development, building stewardship and infrastructure planning, ensuring projects are delivered responsibly and in line with funder and regulatory requirements.
Born in St Lucia and raised in the UK from the age of nine, Laurent’s lived experience informs a strong commitment to equity, opportunity and community investment. He is passionate about celebrating Black culture and contributing to organisations that deliver meaningful and lasting impact for underserved communities.
Laurent became a trustee of Serendipity Institute for Black Arts and Heritage due to a strong alignment with the organisation’s mission, values and long-term strategic vision. He is committed to supporting the organisation’s sustainability and growth, particularly in relation to capital projects, governance oversight and future-proofing its physical and organisational infrastructure.
Board Member
Leyla Okhai
Leyla Okhai is the founder and CEO of Diverse Minds UK Ltd. Diverse Minds creates a positively productive workplace for all through training, coaching and consultancy. The focus is placed on wellbeing, mental health and race equity. Okhaihas over eighteen years’ experience in developing and implementing diversity, inclusion and equity practices, with senior leadership teams. She is also the host of the award-winning Diverse Minds Podcast a weekly show about mental health and inclusion. She is a TEDx Speaker, her talk is entitled The Connection between Race, Culture and Mental Health. As a trained coach, mentor, speaker and mediator, Okhai’s coaching practice centres on how staff can navigate boundaries and reach their full potential whilst maintaining their wellbeing. Leyla has also spoken regularly on mental health and wellbeing in the workplace and delivered training programmes and workshops on these issues across both private and public sectors.
Okhai was the Head of Centre for Equality, Diversity and Inclusion Centre at Imperial College London, from July 2012-June 2017 and prior to this worked at the University of Oxford for over six years, firstly in student recruitment, specialising in increasing applications from underrepresented BAME young people. She went on to pioneer innovative race and religious belief equality initiatives at Oxford’s Equality and Diversity Unit from 2008-2012. She was the University’s first specific advisor for race and religion. She has been a member of the University of Leeds Council since November 2018.
Board Member
Debbie Read
Debbie Read is an arts and heritage management consultant, specialising in business strategy, fundraising, good governance and trustee recruitment. Read has delivered consultancy projects for museums and arts charities from the small to large scale, across the country. Previously, she was Director for Arts and Business in the East Midlands for 10 years, working in partnership with cultural organisations and commercial companies on everything from governance and recruitment to sponsorship and individual giving. She worked as a national governance trainer for Arts and Business, running whole board consultancies, as well as training senior managers from commercial businesses to become effective charity trustees. Read was Head of Planning at Arts Council East Midlands, managing arts lottery distribution, corporate and local government relationships, and regional funding for the arts. Read has sat on various charity boards over the years, and was Arts Council observer on the boards of over 30 cultural organisations. She has also delivered national community and heritage projects as part of the Millennium celebrations at the Dome, worked in theatre-in-education, as a community theatre promoter, and at the Edinburgh Festival.
Vice-Chair
Javier Torres
Former Premier Dancer with Cuban National Ballet and Northern Ballet. Javier has over 21 years of experience and a demonstrated history of working in the performing arts industry. A collaborative leader with an extensive network in the international dance scene, whose over two decades of personal experience and expertise span the entire spectrum from acclaimed professional dancer to executive cultural manager. He is confident in his cultural ambassador abilities with a gift for inspiring the young generation of ballet dancers. He is skilled in Research, Dance Education, Dance Leadership, Communication and Business strategy. With an intuitive and authentic character, highly organised by nature, detail-oriented, growth-oriented and self-motivated, known for orchestrating the creative direction of art initiatives, promoting an open and inclusive work culture, and perfectly balancing professional rigour with many other extracurricular activities. He holds a BA Hons in Business Management and Leadership Practices and a Master in Business Administration (MBA). He is currently the Managing Director of the Acosta Dance Centre and the Europe Business Operations manager at Sansha Group.
OUR PATRONS
Patron
Pauline Black OBE DL
Pauline Black is a singer and actress who gained fame as the lead singer of seminal 2-tone band The Selecter. Black developed an acting career in television and theatre, appearing in dramas such as The Vice, The Bill, Hearts and Minds and 2000 Acres of Sky. She won the 1991 Time Out award for Best Actress, for her portrayal of Billie Holiday in the play All or Nothing At All. Since 2010, she has toured internationally with The Selecter. Her memoir Black By Design was published by Serpent’s Tail in late summer 2011.
Patron Emeritus
Joan Myers Brown
Joan Myers Brown founded the Philadelphia School of Dance Arts in 1960, offering African American dancers access to professional training which traditional schools would deny them. In 1970 she founded PHILADANCO – The Philadelphia Dance Company. She initiated the Smithonian Institution’s International Conference for Black Dance Companies in 1988 and the International Association of Blacks in Dance (IABD) in 1991. Joan Myers Brown was honoured in the 2012 National Medal of the Arts, the highest civic honour in the USA for excellence in the arts. President Barack Obama presented the prestigious honour at a ceremony that took place in July 2013 at the White House. Most recently Joan Myers Brown has been honoured by the Dance Heritage Coalition as one of America’s Irreplaceable Dance Treasures.

